I’m revisiting the topic of writing diverse characters (with a focus on my specialty, asexuality!) in this video:
The content is not 100% original because I’m just sharing some excerpts I wrote from blog posts that were featured on a diverse-writing-related blog some time ago. But I’m giving perspective on why diverse characters are important and some pointers on how to write them.
My book was the subject of an in-depth discussion on the Friday Night Lip Service podcast. Friday Night Lip Service is described as “An amazing group of talented queer women who are driven to make the world a better, happier and more peaceful place via the magic of radio.” Sometimes they discuss books, and mine was their selection for this episode.
This was recorded some time back but was only recently made available in this format.
Asexual host Daria as well as non-asexual hosts Nicky and Nida primarily focus on the chapter of my book that covers non-asexual allies. It was a lovely, positive discussion with some humor and plenty of personal experience sharing.
This month’s video deals with choices we as writers have to make in publishing—specifically with regards to publishing paths. We receive many messages about what you “have to” do if you want to be published, but many of them are elements of mainstream publishing, which isn’t the only option for today’s writers. Here is a video discussing my thoughts on what to take into consideration when picking a publishing path.
Just a quick unprofessional video telling you why it’s important to be professional when you submit your work to agents or publishers!
This video explains the philosophy behind why authors should not assume the message or the story is going to be so fantastic that it will eclipse the need for basic language skills. Good stories can be and will be rejected sometimes because their execution is messy.
The message: If you are not so great at this, please get a proofreader, and NEVER assume you’re going to be the exception.
“On the Inside” is set in an alternate world in which the sexes of male and female are strictly separated in terms of their gender roles and elemental education. Protagonist Lihill was determined at birth to be a boy, but she knows in her heart she’s a girl, and her story is about trying to be seen, heard, and believed.