I’m revisiting the topic of writing diverse characters (with a focus on my specialty, asexuality!) in this video:
The content is not 100% original because I’m just sharing some excerpts I wrote from blog posts that were featured on a diverse-writing-related blog some time ago. But I’m giving perspective on why diverse characters are important and some pointers on how to write them.
This month’s video deals with choices we as writers have to make in publishing—specifically with regards to publishing paths. We receive many messages about what you “have to” do if you want to be published, but many of them are elements of mainstream publishing, which isn’t the only option for today’s writers. Here is a video discussing my thoughts on what to take into consideration when picking a publishing path.
Just a quick unprofessional video telling you why it’s important to be professional when you submit your work to agents or publishers!
This video explains the philosophy behind why authors should not assume the message or the story is going to be so fantastic that it will eclipse the need for basic language skills. Good stories can be and will be rejected sometimes because their execution is messy.
The message: If you are not so great at this, please get a proofreader, and NEVER assume you’re going to be the exception.
In this month’s video, I give some advice on what you might consider for your acknowledgments page.
This video does apply to folks who don’t have a book deal or even those who haven’t finished their books yet. Start keeping these things in mind now, and I promise it’ll save you a lot of headache later!
The “Strong Female Characters” title is in quotation marks because I mean it a little differently than people might think I do.
In this video, I explain how a “strong” female character is actually one that has agency and is an active participant in her own storyline. Often, these days, in a well-meaning attempt to diversify female characters and teach equality, writers and publishers are pushing an image of traditional femininity as weakness, and consequently presents girls and women in media who reject femininity and embrace more traditionally masculine attitudes, clothes, language, and roles as a way to show their strength. My video explains why this is not the only way to make a female character strong, and why we need other images of strength too.