Since I get a lot of questions from people wanting to begin or get back into their writing projects, I figured I would make this video with some hints on how to motivate yourself and get back into the writing groove.
Sometimes people think the only reason to try to get a literary agent is so you can have a chance at the Big Five or get considered by publishers who don’t take unagented stuff, but there are so many more things agents can and likely will do for clients besides sell their books. Here’s my video about those things. Agent love!
In the same vein as my previous post about less frequently asked questions about querying, I’m now posting the follow-up: Not-So-Frequently Asked Questions about submission for agented authors.
In the video, I answer the following questions:
- What if it doesn’t sell?
- Should I research my editors? Should I interact with them?
- How should I behave online while I’m on submission?
- How is being on submission different from submitting to agents?
- What if it DOES sell?
- What information should the agent be sharing with me while I’m on submission?
- What do I do to stay calm while I’m on submission?
- Why does it take so long?
- What’s the “Big Five”? What’s an imprint?
- What should I do next if my book doesn’t sell?
- What does it mean if an editor praises my book but still rejects it?
- What if the publisher wants to change my title?
- How do agents pitch books to publishers?
- Everybody else is getting book deals and I’m not! Is it just never going to happen for me?
- Can my agent dump me?
- How important is luck?
- What about direct submissions to publishers without an agent?
- What can I expect in terms of an advance?
- What’s the one piece of advice you would offer to someone who’s newly on submission?
I’ve got a new video on querying literary agents . . . and this time, I’m addressing the not-so-frequently asked questions. If you’ve got the basics down but have some lingering concerns, check this out and ask your own!
In the video, I answer the following questions:
- How many agents should I query at once?
- How long is an average response time?
- How do I respond if an agent wants to see part or all of my book?
- Oh God, why am I so nervous? Why is this the hardest letter I’ve ever written?
- What if all I’m getting are rejections?
- What if I sent a partial or full manuscript a while ago but then I edited it and it’s better now? Should I send them my updated version?
- How do I handle approaching remaining agents if one offers representation?
- What if an agent wants me to make changes to my book and try again?
- If I get a rejection from an agent, should I reply?
- What if I get an offer from an agent I don’t want to represent me?
- When can I list them as my agent on my blog and in my Twitter profile and stuff? I’m dying to tell everyone!
- What if they seem interested but they refer me to an editor I have to pay for or promise representation for a reading fee?
- What does it mean if the agent wants to call me?
- Can I talk about my agent search online?
- What’s your one piece of advice to an author newly querying agents?
Here’s a new video for you in which I go over the mistakes I’ve seen many querying authors making in their query letters. This is based on a couple years’ worth of Pitch Wars mentoring, outlining the problems with the synopses and the bio section that I saw the most often.
You really don’t want to fall for a publishing scam. But sometimes the world of getting published is a lot more complicated than it seems like it should be, so it’s easy to get swindled or tricked if you don’t know the red flags.
This video is about the red flags.
Some people love giving advice to new/young writers. Sometimes, that advice involves telling others how to do things exactly the way they do things, framing those how-to’s as the only options for becoming successful.
One of the ones I hear most often is “You MUST write EVERY DAY.”
This video is about why that’s not true and why it’s important to trust yourself to find your own rhythm and schedule for your writing.
This weekend I was invited on an Australian morning news program called Weekend Sunrise. Happily, I did not have to travel to another continent for a less-than-five-minute interview. They piped me in from a TV studio in Tampa.
Here is the television piece:
I received my box of books from my publisher and I’m thrilled to finally see the finished product! If you want to see me opening the box and talking a little about the book (and how you can get it), check it out:
“What if someone steals my work??”
I’ve been getting that question a lot lately so I decided to do a video about why your work is not likely to get stolen–primarily because people who are too lazy to come up with their own ideas are VERY unlikely to steal yours just so they can go through the hard part of editing, pitching agents, and getting published. However, if you’re still unconvinced that getting your work stolen is unlikely, there is a suggestion in the video for how you can safeguard your content.