My new video covers five reasons why I recommend against creative speech tags used in place of “said” and “asked.” I make my case for why conversations between characters should stand on their own without the tags or adverbs combined with the tags competing for attention against the actual conversation.
Here’s a new video discussing a little bit about my process from getting my first offer of publication to signing a publishing contract. It’s brief, but I just give you an overview of what it was like to receive multiple offers, deal with negotiations, and sign with a publisher, and a little about what happens after that. Enjoy!
Here’s me discussing different ways you can find literary agents to query. I give a lot of great tips on specific websites you can use to find people who might be interested in representing your work, as well as more traditional methods and some contest information.
This half-hour news feature was hosted by Ricky Camilerri, and it included sex researcher Lori Brotto, journalist Dominique Mosbergen, and asexual activists David Jay, Micah R., and me. We discussed our personal experiences as asexual people, how intimacy works for asexual people, and how we fit under the queer umbrella.
It ended up really cool and it brought in a lot of attention, and it might be good for upping my publishing prospects for the nonfiction book, So You Think You’re Asexual. Stay tuned for good news!
Here’s me discussing how I got my nonfiction agent, with some explanations of what went into my book proposal and how nonfiction is different from fiction in this regard!
I didn’t really want to go all out on making a “how to write book proposals” video because I don’t really feel like I’m qualified to do that. I understood fiction querying very well but I haven’t had much training (or time put in) on book proposals so what worked for me probably won’t transfer easily to anyone else’s project unless they just follow the outline really vaguely and build upon it.
This video on taking criticism teaches new authors the importance of criticism, how to solicit it, and how to get the most mileage out of feedback they receive.
Many writers—especially newer authors—have a tendency to feel insulted by criticism or prefer to defend their material instead of trying to figure out how to use the feedback. Readers can be wrong, but sometimes you can even take your test audience’s misconceptions and poor reading comprehension into account to make your work better.
This video covers why it’s so important to be original in your writing, even if you’re heavily influenced by one of the greats. Some basic philosophy on why lifting others’ plot elements, character ideas, and settings will not result in a good story for you, why “there are no new ideas!” is not a good excuse to copy, and a couple hints on how to teach yourself to use influence without being a rip-off artist.