Hold Tight Gently: Michael Callen, Essex Hemphill, and the Battlefield of AIDS by Martin Duberman
The Invisible Orientation: An Introduction to Asexuality by Julie Sondra Decker
Nevirapine and the Quest to End Pediatric AIDS by Rebecca J. Anderson
Robert Gober: The Heart Is Not a Metaphor by Hilton Als, Ann Temkin, Claudia Carson, Robert Gober, Paulina Pobocha, Christian Scheidemann, and the Museum of Modern Art
Sexplosion: From Andy Warhol to A Clockwork Orange, How a Generation of Pop Rebels Broke All the Taboos by Robert Hofler
The Transgender Archives: Foundations for the Future by Aaron H Devor
The Up Stairs Lounge Arson: Thirty-Two Deaths in a New Orleans Gay Bar, June 24, 1973 by Clayton Delery-Edwards
I’m especially excited to be listed here because I entered in the category of LGBT Nonfiction due to having nothing more appropriate to choose–and my getting shortlisted shows that my choice was the right one. I was a little worried that I would be thought unwelcome or even that my applying would be deemed offensive by the judges, being that the book’s content isn’t centrally focused on any content that is L, G, B, or T (though there is of course discussion of where people who do identify as LGBT intersect with and overlap with asexual identities). Even if I’m not chosen as a winner, being listed as a finalist does feel a little bit like my community is getting closer to being broadly accepted under this umbrella, and that is an incredible feeling.
The winners will be announced in a ceremony on June 1, 2015. I have to decide whether I’m going to attend. 🙂
Sometimes people think the only reason to try to get a literary agent is so you can have a chance at the Big Five or get considered by publishers who don’t take unagented stuff, but there are so many more things agents can and likely will do for clients besides sell their books. Here’s my video about those things. Agent love!
The smart and quirky literary/blog zine Drunk Monkeys accepted my short piece “Asexual, Aromantic, Partnerless, Childless – and Happy.”
It’s a personal essay about how other people’s obsession with changing me has actually been more of an impediment to my happiness than anything these folks can attribute to my lifestyle and inclinations.
Several asexual people, with me among them, gave an interview to Toronto-based writer Iris Robin for an article in The Varsity. It’s a lovely overview of asexual experience and terminology. My book is mentioned as a resource.
Elizabeth of Prismatic Entanglements has offered a thoughtful, comprehensive, gently critical review for The Invisible Orientation.
This is theAsexuality 101 book. It’s for laypersons, but I think it should also be required reading for professionals looking to better serve their asexual clients. It’s a starting point for real understanding, and one that outsiders looking in just can’t provide.
Books are prone to becoming quickly outdated as societal understanding deepens, and even less than a year after its release, there are already some passages beginning to show their age. But that’s more about how fast our high-level community discourse moves! On that level, it makes sense to forgive the subtle nuances rooted in older discussions. Here, we find the community’s foundation, preserved by someone who has been part of it much longer than most of us.
On such solid ground, we can now take steps toward further progress.
But. I figured it’s not very often that a person has a chance to submit to a special issue that’s looking for submissions from a small sliver of the population that you happen to fit into, and I wanted to take my chances one more time before the deadline and submit again.
So I thought . . . what appeals to me in science fiction? What cool questions do I like seeing explored? What concepts blow my mind? What do I love about this genre?
I thought about one of my favorite short stories of all time, Joan D. Vinge’s “View from a Height,” and remembered how compelling the protagonist’s situation was to me. It’s about a woman with an immune deficiency blasting off on a one-way trip into deep space, and how she reacted when she was far enough from home that she could no longer receive signals from other people. I decided to take a similar concept but do it with a different dynamic–with two people in a spaceship going to the stars for a different reason. The dynamic changes a lot with two.
So I wrote a short story that was primarily about the protagonist and her partner trying to get chosen for the space mission and dealing with prejudice that comes with being in a queer relationship. My protagonist, Becks, is my first ever aromantic asexual protagonist. Her partner, Austin, is gender fluid, and is also on the asexual spectrum (being graysexual and demiromantic). And they’re in a queerplatonic partnership. It was interesting to write partly because there were “rules” attached to Austin’s gender and what pronoun I used had to match. I enjoyed being subtle about that in the narration, even though there’s some very explicit stuff about the gender fluidity in the story.
I hope I’m not too much of a failure when it comes to the actual science, though. I’ve read a lot of stuff that happens on spaceships but I don’t know a lot of theoretical science that would make what I wrote realistic, and it’s not super advanced because it’s only set like a little more than 100 years in the future.
Anyway. “Aquarius” is 7500 words and is going to be submitted to the same submissions call. I like this story better than the previous one and if Lightspeed doesn’t want it then I actually think I’ll have a good chance of selling it somewhere else.
More than anything this book arms the reader with the vocabulary, and confidence, to start in depth discussion and exploration of their (or their loved one’s) asexuality. I can think of no better place to start.
The writing manages to be simple and clear without ever patronizing, even when addressing all manner of different groups. Decker maps out an impressive understanding of those identifying on the asexual spectrum that gives context desperately needed for such an underrepresented topic.