New Completed (Revamped) Short Story: “The Curse”

Another new short story has joined the pack, but it’s also . . . an old story. I decided to rewrite “The Curse,” a short story I initially completed in 2002. Yes, 2002!

This is one of the earliest stories I started sending out to magazines. It collected a few rejections and I ended up retiring it because the parts that were supposed to be commentary on human nature read more like really smug exposition and I didn’t think it was good as it was. I put it on the shelf thinking maybe I’d rewrite it someday. And that day came on June 8. I started revamping the story.

The parts of it that used to be just narration have been transmuted into a series of radio interviews, which makes them way more interesting to read and a lot less like you’re reading some author’s frame story. But that’s only half the story. The other half is a more traditionally rendered pseudo-fantasy quest, and I kept a lot of the content from the original story.

And I don’t know that that’s a good thing. I’ve reread those bits and tweaked them a lot but I may need to actually fully rebuild those too before I feel comfortable with the story.

The thing I’m most worried about, though, is how prone it is to looking like it’s trying to be some top-down insightful nothingburger commentary on humanity. It might come across as fake deep and no one wants that.

But I’m happy it’s done–I wrapped it up in five writing sessions and it’s sitting at about 10,000 words. I’d like to cut it down of course but the transcript format makes that tougher. Oh well. This story’s central idea is one I did care about and I want to figure out how to tell it so people actually want to read it.

In Bloom Fifth Edit Complete

I’ll be honest here. I know I write long books. And my attitude toward it is somewhere smack dab in the middle of “I know it’s my responsibility to be less of a windbag” and “some stories are just plus size and there’s nothing I can do about it.”

I have put in the work. This book’s first draft was 197,664 words.

First edit took it down to 159,238. I lost nearly 40,000 words through some hard choices about digressions, details, sub-plots, and worldbuilding that didn’t add enough to the story to justify the bloat.

Second edit took it down to 140,998 words. Nearly another 10,000 lost. I trimmed as I made a strange backwards outline, reducing the story to bullet points and main ideas so I could hit it hard in the next edit.

Third edit took it down to 133,069 words. I applied what I learned in the outline to find points that weren’t necessary, details that could be refined, character interactions that could be cut or streamlined. I backed way off conversations that didn’t contain vital information (though I really, really missed those character-building moments) and I reconfigured many elements. But I was convinced I could still slim it down.

Fourth edit. 128,937 words. While I was thrilled to have a word count in the 120s, that still just looks like a scary number no matter how far I’d come. And unfortunately, this was the beta-reader stage and some of my feedback suggested they wanted more exposition. I’d stripped too much flesh off the bone. I did end up editing it to address the lack and gained another 3,000 words here. So I underwent drastic measures.

I decided I wanted to aim between 125,000 (tops) and 120,000 (ideal). So I made a chart, with proportional calculations for how many words I’d need to reach the goal per chapter, and got to work. Yes. I was so desperate to lose words that I did math.

The fifth edit was completed at 122,470 words.

Here’s the chart tracking my progress. (It didn’t end up with this exact word count because there have been minor tweaks since completing the edit.)

I somehow lost another 6,000 words without sacrificing anything huge. Only a few of the cuts were bleeding (though I’m wincing thinking about it).

And by objective standards of the industry? This is still a long book. I have unwritten a book and a half and I still have a plus-size book.

I am going to have to live with it. And so will the world.

Next stop, querying. Here we go.

Book Panel: Being Aro at Tubby and Coo’s

The panel with Madeline, Taka, and Ann was a lovely time. We appeared with host Candice, owner of Tubby and Coo’s bookshop and talked about the new book Being Aro for about an hour. It was a cozy little event where we shared our perspectives and discussed various aspects of the book, including how we felt about the process, what we thought was important about aromantic literature, and personal thoughts on the stories’ development. As the only person on the panel whose contribution was nonfiction (I wrote the introduction!), I was a little bit the odd one out and couldn’t contribute to some of the questions, but that was fine with me. (Sadly I was also having a low-energy day after a pretty bad day at the eye doctor’s, and wasn’t able to see super well. A headache was brewing and it probably showed. I did my best!)

The video is still available on rewatch if you follow the links.

BEING ARO: A Conversation with Madeline Dyer, Taka Owen, Ann Zhao, & Julie Sondra Decker

 

Upcoming Appearance: Tubby and Coo’s, Being Aro

I will be making an appearance via Crowdcast at Tubby and Coo’s as a panelist with Madeline Dyer, Taka Owen, and Ann Zhao, other authors involved with BEING ARO, the new aromantic anthology. I wrote the introduction and will participate in this stop on the book tour.

Please join us on May 27, 2026, 3 PM Eastern / 2 PM Central.

You can register here:

BEING ARO: A Conversation with Madeline Dyer, Taka Owen, Ann Zhao, & Julie Sondra Decker

 

 

Published Book: Being Aro

Being Aro is now out in hardcover.

You can get it at various sellers, including The Cove, Bookshop.org, and Better World Books.

This book contains 12 short stories with aromantic content, but this time my contribution was the introduction–I do not have a piece of fiction in this anthology.

Here’s some cool coverage the anthology has gotten in the media:

New Completed Short Story: “In Your Favor”

Another new short story has been born after an idea seized me on the night of April 19. Now welcoming my new completed story “In Your Favor” to the fold.

It’s been a while since an idea would not let me rest. I initially thought this one would be short because it’s a genre I have never written before and I was just testing the waters, but 23,000 words later, I have a novella on my hands. Churned out restlessly in eight days during a week I was otherwise very overbooked and busy. Quality of its first draft, if I may say so, is unusual. Especially considering how little I slept.

“In Your Favor” is about six aspiring adventurers whose last stop before shipping out on quests is a ritual to get their magic powers. One catch: Only five of the six will be given a talent, and traditionally the sixth member becomes a team manager who can’t go on the adventures. I’ve never written anything remotely associated with quest-fantasy plots and I don’t read much traditional fantasy, nor do I play any role-playing games, so I felt a little out of my depth doing something that others would probably read as essentially LitRPG (or at least LitRPG-adjacent). Not my thing whatsoever, but here I was writing it.

Premise aside, though, this completely plays to my strengths. It’s a character interaction piece. We don’t actually get to see a quest happen; it’s basically a bottle episode. It’s entirely about what develops when six friends who have been through a lot together have to face a huge change happening to all of them at once, how their relationships shift and endure, and how they pull together or fall apart when the final truths are decided.

And because it’s me writing it, of course half the team is queer. The main character is in a (poorly hidden) secret same-sex relationship with another character, and the cast includes a nonbinary member for no plot-relevant reason. I really appreciate incidental queerness and want to incorporate it into more stories.

I love my little group even though I just met them. I adore them with my whole heart.

 

Accepted short story: “For the Record”

It happened again! This is the third time I’ve sent a story out sight unseen and had it accepted with no rejections. And wow that was fast. I only finished this story on March 18 and less than a month later it has a home.

For the Record” found a friendly ear with the editor of Overtime, a publication that specifically focuses on stories about work. The main conflict surrounds an administrative professional who has left her job in the protagonist’s capable hands, but can’t seem to let go of control. They have an epic battle–okay, a discussion or two–about filing systems and the importance of archives. I’m always surprised by which of my stories sell quickly and which take a long time.

Also, I’m pleased that this is a very casually queer story. Both main characters are lesbians, but there isn’t much focus on their relationship. I like an opportunity to have incidental queerness. People existing who just happen to be gay but the story isn’t about them being gay.

This story will run in the November 2026 issue of Overtime.

New Completed Short Story: “For the Record”

New short story! This one is about two administrative professionals having epic disagreements about file organization.

The main character is not like me in most ways–she’s more aggressive, a little less compassionate, and gay–but we share the experience of working in a male-dominated field in an administrative capacity and being secretly queer at work. Her opposite–an outgoing employee who trains her before leaving THE FILES in her capable hands–is not based on anyone I know, and struggles with some mental health issues.

The story itself is not autobiographical, but nearly all of the examples of workplace bullshittery are things that really happened to me. I made the guys geotechnical engineers instead of the transportation engineers I work with, but there’s a lot of overlap.

It’s a little on the long side at 6,000 words (NO ONE HERE IS SURPRISED), but its length shouldn’t be too prohibitive in finding a place for it to live. I’ll start sending it out tomorrow.

In Bloom Fourth Edit complete – on to beta reading!

My novel In Bloom has now completed its last edit before going out to the test audience. In its third edit, completed on December 31, 2025, we ended at 50 chapters, 482 pages, 133,069 words. And where did we end up?

50 chapters, 469 pages, 128,937 words.

I did achieve my goal of getting into the 120,000s (just barely) and I have now (as of February 3) begun the process of sending material privately to my test audience. The version with my beta readers’ feedback in it will be considered the fifth edit.

If you follow my work and want to jump on the list to read it before it’s time for the literary agent step, you know where to find me. 🙂