Book Panel: Being Aro at Tubby and Coo’s

The panel with Madeline, Taka, and Ann was a lovely time. We appeared with host Candice, owner of Tubby and Coo’s bookshop and talked about the new book Being Aro for about an hour. It was a cozy little event where we shared our perspectives and discussed various aspects of the book, including how we felt about the process, what we thought was important about aromantic literature, and personal thoughts on the stories’ development. As the only person on the panel whose contribution was nonfiction (I wrote the introduction!), I was a little bit the odd one out and couldn’t contribute to some of the questions, but that was fine with me. (Sadly I was also having a low-energy day after a pretty bad day at the eye doctor’s, and wasn’t able to see super well. A headache was brewing and it probably showed. I did my best!)

The video is still available on rewatch if you follow the links.

BEING ARO: A Conversation with Madeline Dyer, Taka Owen, Ann Zhao, & Julie Sondra Decker

 

Upcoming Appearance: Tubby and Coo’s, Being Aro

I will be making an appearance via Crowdcast at Tubby and Coo’s as a panelist with Madeline Dyer, Taka Owen, and Ann Zhao, other authors involved with BEING ARO, the new aromantic anthology. I wrote the introduction and will participate in this stop on the book tour.

Please join us on May 27, 2026, 3 PM Eastern / 2 PM Central.

You can register here:

BEING ARO: A Conversation with Madeline Dyer, Taka Owen, Ann Zhao, & Julie Sondra Decker

 

 

Published Book: Being Aro

Being Aro is now out in hardcover.

You can get it at various sellers, including The Cove, Bookshop.org, and Better World Books.

This book contains 12 short stories with aromantic content, but this time my contribution was the introduction–I do not have a piece of fiction in this anthology.

Here’s some cool coverage the anthology has gotten in the media:

New Completed Short Story: “In Your Favor”

Another new short story has been born after an idea seized me on the night of April 19. Now welcoming my new completed story “In Your Favor” to the fold.

It’s been a while since an idea would not let me rest. I initially thought this one would be short because it’s a genre I have never written before and I was just testing the waters, but 23,000 words later, I have a novella on my hands. Churned out restlessly in eight days during a week I was otherwise very overbooked and busy. Quality of its first draft, if I may say so, is unusual. Especially considering how little I slept.

“In Your Favor” is about six aspiring adventurers whose last stop before shipping out on quests is a ritual to get their magic powers. One catch: Only five of the six will be given a talent, and traditionally the sixth member becomes a team manager who can’t go on the adventures. I’ve never written anything remotely associated with quest-fantasy plots and I don’t read much traditional fantasy, nor do I play any role-playing games, so I felt a little out of my depth doing something that others would probably read as essentially LitRPG (or at least LitRPG-adjacent). Not my thing whatsoever, but here I was writing it.

Premise aside, though, this completely plays to my strengths. It’s a character interaction piece. We don’t actually get to see a quest happen; it’s basically a bottle episode. It’s entirely about what develops when six friends who have been through a lot together have to face a huge change happening to all of them at once, how their relationships shift and endure, and how they pull together or fall apart when the final truths are decided.

And because it’s me writing it, of course half the team is queer. The main character is in a (poorly hidden) secret same-sex relationship with another character, and the cast includes a nonbinary member for no plot-relevant reason. I really appreciate incidental queerness and want to incorporate it into more stories.

I love my little group even though I just met them. I adore them with my whole heart.

 

Accepted short story: “For the Record”

It happened again! This is the third time I’ve sent a story out sight unseen and had it accepted with no rejections. And wow that was fast. I only finished this story on March 18 and less than a month later it has a home.

For the Record” found a friendly ear with the editor of Overtime, a publication that specifically focuses on stories about work. The main conflict surrounds an administrative professional who has left her job in the protagonist’s capable hands, but can’t seem to let go of control. They have an epic battle–okay, a discussion or two–about filing systems and the importance of archives. I’m always surprised by which of my stories sell quickly and which take a long time.

Also, I’m pleased that this is a very casually queer story. Both main characters are lesbians, but there isn’t much focus on their relationship. I like an opportunity to have incidental queerness. People existing who just happen to be gay but the story isn’t about them being gay.

This story will run in the November 2026 issue of Overtime.

New Completed Short Story: “For the Record”

New short story! This one is about two administrative professionals having epic disagreements about file organization.

The main character is not like me in most ways–she’s more aggressive, a little less compassionate, and gay–but we share the experience of working in a male-dominated field in an administrative capacity and being secretly queer at work. Her opposite–an outgoing employee who trains her before leaving THE FILES in her capable hands–is not based on anyone I know, and struggles with some mental health issues.

The story itself is not autobiographical, but nearly all of the examples of workplace bullshittery are things that really happened to me. I made the guys geotechnical engineers instead of the transportation engineers I work with, but there’s a lot of overlap.

It’s a little on the long side at 6,000 words (NO ONE HERE IS SURPRISED), but its length shouldn’t be too prohibitive in finding a place for it to live. I’ll start sending it out tomorrow.

In Bloom Fourth Edit complete – on to beta reading!

My novel In Bloom has now completed its last edit before going out to the test audience. In its third edit, completed on December 31, 2025, we ended at 50 chapters, 482 pages, 133,069 words. And where did we end up?

50 chapters, 469 pages, 128,937 words.

I did achieve my goal of getting into the 120,000s (just barely) and I have now (as of February 3) begun the process of sending material privately to my test audience. The version with my beta readers’ feedback in it will be considered the fifth edit.

If you follow my work and want to jump on the list to read it before it’s time for the literary agent step, you know where to find me. 🙂

 

In Bloom Third Edit complete

My novel In Bloom has now completed its third edit. In its second edit, completed on November 23, 2025, we left it at 53 chapters, 499 pages, 140,998 words. Are you ready for the third edit numbers?

50 chapters, 482 pages, 133,069 words.

We’re getting closer! I still think that word count is awfully scary, despite that it’s come down from almost 200,000 words, mainly because even though it’s science fiction, it’s still young adult and I need more trimming.

I accomplished this moderate edit by outlining the story’s main beats while I edited it in the second edit, and then used the outline to cut, shorten, or reconfigure certain parts. I did find it useful, and as you see I lost a good 7,000 words after an already-major chop. But I still want to see a word count in the 120s, so I’ve decided I need one more edit to tighten its belt before heading out to the test audience.

It’s taken longer than I wanted, but I’m ready to wrap it up soon.

In Bloom Second Edit Complete

My novel In Bloom has now undergone its second edit. In its first edit, completed on July 13, 2025, we left it at 53 chapters, 556 pages, and 159,238 words. And now the numbers for the second edit:

53 chapters, 499 pages, 140,998 words.

I lost over 18,000 words! I mean, that’s a big chunk!

But it still means I have a 140K YOUNG ADULT book and that’s still too huge.

Science fiction publishers (and agents) do tend to build a little tolerance for worldbuilding into their word count caps, but they still typically don’t want counts this high. Still, seeing that 140K number feels like a glimmer of hope after starting with a word count close to 200K. Though it does feel weird to have “unwritten” enough words to make up a whole separate novel.

I don’t know if the experiment I have done here will work, but we’ll see. Suspecting that I’d still need to lose words after this edit, I documented my novel as I completed the second edit and outlined it, breaking each scene into a main idea and its supporting happenings. Then I can take a sort of top-down look and analyze which scenes might be able to be deleted, reduced to summaries, or combined with other similar scenes to reduce the words. I do NOT think just trimming sentences will be enough at this point, especially since I did an awful lot of that in this edit as well.

Edit 3 starts tomorrow.