Accepted short story: “A Shadow to Light”

So this is an odd one. I got an acceptance for my short story “A Shadow to Light.” I’ve received a publishing offer from a nice little anthology called The Mystic’s Pen, Volume 2, put out by The Edge.

I wrote “A Shadow to Light” in 2024 because I wanted to try writing in a world that was already established in some of my other work. In this case, I did something unprecedented: I pulled from a weekly webcomic called Negative One that I’ve been writing since the year 2005. And Negative One in turn is developed from novels I wrote in college. (I turned them into a webcomic for a low-pressure way to love on the characters and their situation without trying to bend them into the constraints of the publishing industry.) The relatively (well, for me) complex worldbuilding of the otherworldly dimension was featured in the comic for such a short time because the protagonist left and she doesn’t remember it. I wanted to do something else with all that work I’d done.

So I adapted a situation originally referenced in the comic into a cool story about the protagonist and her teacher, and a new friend coming into the mix. They argue about shadows and dimensional travel and who’s the boss of whom. Sometimes you just need a vacation.

I’m interested to see how well the story carries over to print form. Considering that’s its distant roots, I hope it survives the transition very well.

Accepted short story: “The Wagon”

So now I have some news that is near and dear to my heart. Another piece of my short fiction has been accepted to an anthology. This time, it’s my story “The Wagon.” It has been selected for publication in Space Ace.

Space Ace is an anthology put out by Farlands Fiction meant to center asexual and aromantic characters and connect to the theme of space.

So cool, right? Well, I thought so too, when I saw the submissions call. But as I’ve said in my first post about “The Wagon,” I had a story that fit that theme but I already sold it. (That one’s coming out in an aromantic-specific anthology, Common Bonds 3.) And I was annoyed that I didn’t have a piece to contribute when the subject was something I like so much!

So, I did what made sense. I wrote one.

With the word count cap up at 10,000 words, I figured I’d be safe from my usual issues, but that turned out to not be true. The first draft was over 13,000 words and I had to hack it down. I didn’t want to consider doing otherwise, because truthfully I wrote this for them. It’s pretty specific to the call and it doesn’t just tack either of the required elements on; it makes space and the asexual/aromantic identity of the protagonist integral.

And then I got kind of stressed out about whether I would get in. I watched some of the stats and started trying to guess if people getting rejected who’d submitted after me meant my story was being held. I theorized about what competition I had. I got invested in a way that I typically don’t about submissions. I guess that’s all a sign of how much I really wanted to be a part of the project.

And I got my wish.

It’s especially awesome that it’s NOT a quick little shot-off story–it’s a substantial piece that I cared a lot about while knocking it out, and I really wanted people to be able to experience it. I love when a lovingly written piece for a specific place leads to a story with no rejections, never made to be anywhere else.

I’ll give details about “The Wagon’s” publication as soon as I have anything to release. Until then, here’s the short pitch:

“The Wagon” involves six friends–Aimee, Lora, Juana, Sadie, Gerry, and Tuan–who became an inseparable group during their college years. They have significantly altered their lives so they could happily live and work on the same space station. But when one of them disappears without warning on a mission to pursue a cure for a deadly illness in a dangerous corner of the galaxy, the rest have to track her down with few clues in case she’s in over her head. And in the midst of losing a groupmate who’s closer than family, Lora dodges the poorly conceived romantic attentions of her coworker Richie, who is determined to marry her because she is the only woman who’s ever beaten him at chess.

 

Accepted short story: “Karma Is Dead”

I’m excited to say my short story–more accurately, novella–“Karma Is Dead” has been selected for publication in the Longer Worlds anthology by Lightning Cellar. Announcements will be made when there are dates to know and links to click!

“Karma” had a strange ride getting out into the world. I did something I rarely do: I started a short story and finished it much later. (And of course, since it’s me, the story ended up at around 20,000 words. It slimmed down to about 19,000 to go on submission to publishers.) I started writing it during a vacation and completing it more than a year later. It ran away from me a little, and though the basic idea of the story was always there (including the ending), the actual storytelling was quite different than my original conception. I love when that happens and I feel like I’m discovering a person and a place.

Since it’s enormous and typical short story publishers will not touch 19k, I was left with either very specific submissions calls or book publishers.

I submitted it around, and first I got interest from a publisher who kept writing me back asking for more information. Can I send the draft in another format? Can I provide a bio? And then they ghosted me after acting interested. The next publisher who was interested is the one I ended up signing with. They liked the story but couldn’t commit to having me in the anthology for sure, and asked to hold the story for consideration. This is common enough, but sometimes publishers want exclusivity at this point, and this publisher was kind enough to say I could continue to shop it around since they couldn’t commit yet. Very nice of them.

And then I did end up getting a THIRD response from a publisher who also wanted to hold it for consideration! Their issue was being primarily a book publisher and they were honest with me saying they weren’t sure what they’d do with a story my size. (Ironically, because it was SHORTER than what they usually deal with it.) They asked if they could hold it while they figured out what kind of offer they could give me. I gave them full disclosure saying another publisher had also put it on hold. They were fine with that.

But then I got the offer on October 1, 2026, and after checking with the other publisher who still wasn’t ready to offer me anything (but hopes I’ll show them some future projects!), I signed with Lightning Cellar for the Longer Worlds anthology.

(It did also get one really weird rejection saying I should send it to a different specific publisher, and that publisher ONLY works with fanfiction authors. I guess they assumed I am a fanfiction author because my character is?)

Short pitch:

Karma Is Dead features a young woman who’s been on her own since surviving a mass extinction, but she believes she died in the plague and identifies as a ghost. When she meets Brianne after more than two years of being alone, their mutual attraction and desperation for company brings them together, but there’s a catch: neither of them can speak, and one of them is dead. Their relationship begins in handwritten letters as they live in the same house, but as Brianne brings Karma into her life of haphazard errands and backyard farming, she needs definition for Karma’s supposed afterlife. She deserves the truth if she’s supposed to date the undead. They adopt a quest to find the story of Karma’s true end, which eventually reconnects her with forgotten elements of her past–some of which she’s grateful to have back; some of which are extremely nerdy secrets that Brianne might judge her for. But when Karma unearths Brianne’s own dark secret–which is bizarrely connected to her own–she finds herself judging when she expected to be judged. Is this an irreconcilable difference, or are they more alike than they thought?
This one is close to my heart and deals with some of my favorite things: complex interaction, cartoon nerds, hard decisions, and apologies.

Published Book: Being Aro

Being Aro is now out in hardcover.

You can get it at various sellers, including The Cove, Bookshop.org, and Better World Books.

This book contains 12 short stories with aromantic content, but this time my contribution was the introduction–I do not have a piece of fiction in this anthology.

Here’s some cool coverage the anthology has gotten in the media:

Accepted short story: “For the Record”

It happened again! This is the third time I’ve sent a story out sight unseen and had it accepted with no rejections. And wow that was fast. I only finished this story on March 18 and less than a month later it has a home.

“For the Record” found a friendly ear with the editor of Overtime, a publication that specifically focuses on stories about work. The main conflict surrounds an administrative professional who has left her job in the protagonist’s capable hands, but can’t seem to let go of control. They have an epic battle–okay, a discussion or two–about filing systems and the importance of archives. I’m always surprised by which of my stories sell quickly and which take a long time.

Also, I’m pleased that this is a very casually queer story. Both main characters are lesbians, but there isn’t much focus on their relationship. I like an opportunity to have incidental queerness. People existing who just happen to be gay but the story isn’t about them being gay.

This story will run in the November 2026 issue of Overtime.

Accepted short story: “Aquarius”

I got a new offer to publish my short story “Aquarius.”

I wrote the story in 2015. It was previously accepted by Aurelius Leo but the publisher’s plans fell through. The story is on the longer side, so it’s already pretty tough to place with traditional short story publishers, but on top of that it got hung up in publishing limbo for so long after plans didn’t materialize that I was pretty bummed to still be trying to place the story in 2025. I submitted it to an anthology project that’s specifically for aromantic main characters, though I wasn’t explicitly looking for anything like that. And this time, it found what I hope is its permanent home.

The Common Bonds anthology project has accepted “Aquarius” and plans to put the story in its Volume 3 anthology. (It will be a while since Volume 2 isn’t even out.) News as it develops.

Accepted short story: “Aquarius”

I wrote a short story called “Aquarius” in 2015. You can see some of my thoughts on developing the story and its journey in a previous blog post. But what I can say on the story since then is that I’ve thought for a long time that this was one of my best short stories. My mom even liked it, and my mom doesn’t like science fiction.

Evidently, the publishers didn’t agree with my assessment. Or my mom’s. Because I couldn’t seem to find a home for it.

I’ll admit one thing: I’m picky about selling short stories. I don’t like to sell them to unstable markets, so I generally only pitch to publications that offer compensation beyond a free copy. So with that and the fact that the story is on the longer side, maybe the odds just weren’t on my side for selling “Aquarius.”

Or, more likely, I just lack the capacity to be objective about which of my stories are any good.

But right after I sold a story I didn’t think I liked very much to the first place I offered it to, this story sold next. I got an acceptance on September 29, 2022.

Why didn’t I post about it then? Because I didn’t know any terms and there was no communication about the story for a long time after that, so I didn’t want to make an announcement and then find out it wasn’t actually going to be a thing. I don’t like to spread news when I don’t really HAVE the news.

But as of today, I did get my contract and the release terms. I can now tell you that after a long streak of years, my (probably) second-queerest short story will finally be published in November 2023.

Aurelia Leo bought the story for their 18th PRIDE anthology. A placeholder purchase link is up, and it has a cover.

Published Short Story: “Her Experiment”

My short story “Her Experiment” sold to Spoon Knife. It’s in the March 2023 issue: Volume 7, Transitions.

Reading this one isn’t free on the Internet but as of today it can be accessed one of these ways: