Results of Querying: Bad Fairy 2011

I only just started querying for Bad Fairy in November of 2011, so this isn’t going to be a big update, but this is how I’m doing on queries so far:

Agents queried: 9.

  • Query rejections: 6
  • Non-responses (so far): 3

One of the guys I queried had actually represented a fairy tale retelling I particularly enjoyed, so I mentioned it in my query.  He said this to me:

I appreciate your thinking of me, but I actually don’t normally care for fairy tales, or for works with the basis feel of a fairy tell, or retellings.  Mercedes Lackey is an exception because I just have an affinity for her work and I’d be happy to read her grocery lists, but otherwise, this book is probably not a good match for my tastes.

Heh, “happy to read her grocery lists.”  Maybe someday someone will say that about me?

Planning to continue the querying streak in 2012!

On Purple Prose

Purple Prose: a term of literary criticism used to describe passages, or sometimes entire literary works, written in prose so extravagant, ornate, or flowery as to break the flow and draw attention to itself. Purple prose is sensually evocative beyond the requirements of its context. [x]

I have a big problem with purple prose.  As in, I don’t like it, not that I struggle with it myself.  (I sure hope not.)  As its most common perpetrators happen to be in MY genre, I especially don’t like it when they make fantasy writers look bad.  These folks are the reason everyone else thinks high fantasy is melodramatic and silly!

But some people mistake purple prose for High Art, and defend it viciously.  I have been told over and over that this sort of writing enriches the novel’s landscape, while I feel it reads more like a vocabulary exercise meets a bad attempt at poetry.

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Ready to Query: Bad Fairy Trilogy, Book 1

Editing Bad Fairy has been a complete nightmare, but I got it down to 146,000 words, and I had a lot of help.  Especially from Jessie.  Thank you to the following people who helped me in the test audience:

These people read the whole thing and gave comments: Jessie, Victor, Mike Lee, Amanda K., Alicorn, Laura, Michael, Joy, Patricia, and Laurel.  These people read part of it and gave comments: Brianne, Fred, Jeremy, Jeaux, Reeny, Elle, Jaron, Mikaela, Andi, Jessica, darkchime, Jack O., Clare, Shelby, Mandy, Michelle, Amanda W., Susan, and Jordan.

My basic query letter (with personalized agent stuff at the beginning, and modified if needed):

What happened before Sleeping Beauty slept?

Delia Morningstar is a precocious and inquisitive half-fairy girl whose great talent and drive mark her for a promising future. But she has some peculiar interests: What is she learning when she dabbles in forbidden “dark magick,” and why does she have such an interest in the afterlife? Shunned by popular society, she struggles to make a living, but when one of her attempts to help her kingdom is misunderstood, she is ultimately held responsible for a curse on baby Aurora, her kingdom’s beloved princess.

Now forced into hiding, Delia must live in disguise as a typical fairy and continue to work toward a surprising goal: Saving the princess from death. While tweaking destiny from behind her mask, Delia discovers unexpected aspects of both herself and her enemies. Though she eventually succeeds in her original goal, she finds that dealing with who she’s become is a battle she’s only beginning.

In addition to writing fiction, I work as a copyeditor/proofreader, run several websites, and have five published nonfiction articles.  My other long fiction projects include adult science fiction and YA magical realism.

 

On NaNoWriMo

National Novel Writing Month is coming.

If you’re not familiar, it’s held every November, and it involves writers signing up on a website with a promise to write a novel between November 1 and November 30.  They have thirty days to try to write 50,000 words, and a community has grown up around it—a whole international society of writers who record and post their word counts, compete, and cheer each other on.

I’ve never participated in NaNoWriMo.  But let me tell you about my perspectives on it: why it’s wonderful, and why I nevertheless don’t participate.

Why NaNoWriMo is GREAT:

  • Many writers struggle with motivation to write.  Being forced to make the time or else admit “losing” NaNoWriMo helps some.
  • Many writers do MUCH better if they have an audience of people expecting and hoping that they will succeed.  Since writing is by nature a solitary occupation but not everyone is a solitary person, having a community poised to watch your word count grow is rewarding.
  • No one expects a novel composed in thirty days to be Shakespeare.  Therefore, the pressure is off for those writers who constantly self-edit during the writing process.
  • The community provides access to so many other writers; novelists can find critique partners, like-minded folks, and friends.

Why I’ve never done it (and will never do it):

  • November is an unusually busy month for me most years.
  • I already write fast.  Writing a novel in 30 days isn’t a challenge for me because of my bat-out-of-Hell writing style.
  • I don’t play well with others when it comes to creativity.
  • I don’t tend to need encouragement.  I’ve got that pretty well licked; I never stop writing.
  • The last thing I need is another hastily written manuscript lying around for me to edit.
  • I tend to get easily roped into editing for less experienced writers if I think they need me.  Failing to put myself in a situation where I would definitely encounter them is an act of self-preservation.

If you’ve always wanted to write a novel but you couldn’t get off the ground, or you’ve started project after project but fizzled out, or you need a reason to dive in . . . do NaNoWriMo.  I have a ton of friends who find it really rewarding.

On Querying

If you want to sign with a literary agent to represent your novel, here are some thoughts and tips.

On Preparing to Query:

  • It should go without saying that your book should be complete, polished, and if possible, vetted by your critique partner(s) and/or editor(s).  Before you contact someone wanting to know if they want to help sell your work, your work has to be ready to sell.  (Yes, edits are inevitable once the professional part of your journey begins, but that’s no excuse for querying with a first draft.)
  • Draft a synopsis first.  You need one to two paragraphs describing your book; you might consider writing several, then sharing them with people you know and asking them which one they like best.  When asked to give feedback on a synopsis, most average readers will be vague and say they “like it,” but when given three to choose from, they tend to be better able to articulate what works for them and why.  Which is what you need to know.

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Bad Fairy: Class Picture Day

I don’t do much in the way of visualizing characters when I’m writing, but I think most readers are more visual than I am, and they tend to appreciate at least a little description.  But except for the major characters, I hadn’t done much description of anyone in the book, and there were a ton of minor characters whose names were probably mentioned once—primarily Delia’s classmates in her fairy school.  So I decided I should try to draw them so I could get an idea of what she’s seeing every day.

So here’s my “fairy class picture day,” ignoring of course that they lived in a time without cameras. Haha.

The teachers are the ones standing on the stage, and the fairy students are all on the ground—I drew the graduating class of that year.

Fairies are obviously a pretty homogenous bunch, given how consistently they seem to have curly blonde hair and light skin.  A few of them have a little more red or a little more brown in their hair, but it’s rare.  So you can see why my protagonist sticks out a bit.  (That and she’s tiny because she’s four years younger than the next youngest student.  And, well, a few other things.)

I had a lot of fun figuring out what everyone looks like.  It lets me flesh them out more when I write about them in the book.

On Writing to the Market

I tend to write pretty non-traditional stuff.

I also have a natural tendency toward wordiness which makes my work difficult to squeeze into the publishing industry’s proverbial Size 8.

So when I have issues placing it, and I whine about it (good-naturedly, most of the time), sometimes well-meaning people tell me I ought to just try to garner some popularity by writing what’s popular at the moment.

“Wouldn’t it be worth it?” these people say.  “Isn’t it worth compromising a little in order to get a following and get attention for your serious work?”

Let me explain to you why I think this is kind of misguided.

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Article: How to Be an Asexual Ally

Another article of mine was published in Good Vibrations today.  It’s a three-part post and now that they’re all complete I’m sharing them here.

Please read these:

  • Part One: What would we like you to do to make us feel valued and accepted?
  • Part Two: What would we like your reactions to sound like when we come out, and how would we like you to treat us afterwards?
  • Part Three: What questions would we like you to ask, and what behaviors would we prefer you avoid? What assumptions would we caution you against making regarding us and others like us?

Rejection Feedback: “Wind”

I got some kind of interesting rejection feedback from a magazine that decided against publishing my short story “Wind,” and I’d like to share it here:

Cool story! I’m passing on it today mostly because I don’t think [magazine] is quite right for it, rather than the other way around. Our readership probably wouldn’t appreciate it the way a publisher with a wider reader demographic would. I’m always hesitant to give stylistic feedback, but if it’s not too forward of me, this could use a stronger opening section. Your narrative is smooth and your characterization is totally likable, but you need something happening right from the first page rather than five or six pages in, even in a longer story like this. Keep submitting it, though. This tone/content is very right-now, and I’m sure someone with broader content will bite.

I like personalized rejection letters.  Probably not as much as I’d like acceptances, but it’s nice when someone decides my stuff is worth their feedback.