Amazon Breakthrough Novel Award 2013, Quarter-Finals: Stupid Questions

The 500 quarter-finalists for the Amazon Breakthrough Novel Award were announced today, and for the first time since entering in 2011, I didn’t make the cut. I’m actually surprised because I thought I had a better chance at making quarter-finals than I did at making the second round; usually my writing is stronger than my pitching skills. But even though my reviews were not particularly negative, I’m guessing either my reviewers graded me harder than their reviews indicated OR I just had a lot of excellent competition.

My critique partner and friend J.C. Fann did make the quarter-finals and I’m very proud to have been involved in helping prepare the book for the contest, so if you’re interested in downloading and reading/rating/reviewing the excerpt, here is a link to The Queenschair!

And if you’d like to see my reviews and analysis of the comments:

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Amazon Breakthrough Novel Award 2013, Second Round: Stupid Questions

Stupid Questions advanced to the second round of the Amazon Breakthrough Novel Award competition.  I am one of the 2,000 left of the original 10,000 entrants.

Now my first chapter goes on to be read by two Amazon judges.  I’ll get rated and reviewed.  If I pass, I will be one of 500 left to be named quarter-finalists.

This year I was sleeping when the results came in and a friend who is also in the contest had to tell me I made it. Haha. (We both got in. It’s going to be disappointing when either of us gets cut, but I think it will be really sad and weird if one of us gets cut before the other.)

Representation Change: Inklings Literary

My agent, Michelle Johnson, has started her own agency. She has decided to call it Inklings Literary, and I have elected to migrate to her agency with her instead of staying with her old agency. (I already have a great rapport with Michelle, but hadn’t had any interaction with her agency’s president, so I thought Michelle would be a better advocate for my work.)

I’ve signed with the new agency and my book is still being considered by the same editors as before the move. (I’m not talking publicly about who’s considering it, but yes, my book Bad Fairy is in consideration by more than one major publisher.) Everything’s gone pretty smoothly, and I’m crossing my fingers to be Michelle’s first sale as the president of her own agency. 🙂

Edit: She was interviewed here in Writer’s Digest. You can learn all about what she’s like and what she wants to see in her inbox.

Edit again: She was interviewed here on S.K. Whiteside’s blog.

Edit again: She gave some perspectives here in First Five Frenzy on Chasing the Crazies.

Amazon Breakthrough Novel Award 2013, Entering: Stupid Questions

I decided to enter the Amazon Breakthrough Novel Award competition for the third year in a row, but I am doing so with my newest novel: Stupid Questions.

This contest’s a little weird because if you win you have to sign their contract with full knowledge that it can’t be negotiated. Once when I heard agents talk about their clients entering it, one of them said “I wish her all the best but I hope she doesn’t win.” There’s still a lot of good stuff to be had in the experience of entering, but yeah, that “you have to sign the contract no matter what” thing does give me pause. Oh well. I entered.

This book is the shortest one I’ve written, and it’s in one of the adult categories—science fiction—instead of the YA category like the last two years I’ve entered. I don’t know how well I’ll do here, since I have a suspicion that my story arc could be interpreted as a navel-gazer of a romance rather than a book with a plot, but we’ll see if I make it through to the second round.

The contest has changed this year in that it no longer offers a chance to win a publishing contract with Penguin.  It is now a traditional publishing contract through Amazon’s publishing group itself (not the same one that handles self-publishing, though), and there will be FIVE winners—one in each category—with one of those five winning a larger advance. The international Amazon contest stops taking entrants once it hits 10,000 people.  Each of us has to send in a pitch statement, a bio, an excerpt, and a full manuscript.

The second round will involve the 10,000 entrants being cut down to 2,000 Second Round competitors based entirely on our pitch.

This is my pitch statement:

Camera guy Nick Harris lives in a rational world—or so he thought. He’s no longer sure what’s real when the enigmatic Summer Astley appears on his news show displaying genuine telekinetic powers . . . and a charming smile. As mutual attraction brings them together, Summer reluctantly trusts Nick with her secret doubts and heartbreaking loneliness, leaving him puzzling over how to chase a down-to-earth romance with a girl who can fly.

But Summer isn’t the only one with unusual abilities. Nick’s got a knack for understanding other people—sometimes to the point that he accurately guesses their thoughts. Summer, eager to connect with someone like herself, presses Nick to accept that his “good people skills” are far from ordinary, but Nick isn’t buying it. And he certainly doesn’t want it to be true. After all, being too perceptive creeps girls out and gets guys dumped.

As a strained long-distance relationship develops between them, Summer and Nick face shared challenges and personal demons. Summer struggles to balance her supergirl public image with her love life, and she fears getting attached in the wake of a recent loss. And Nick feels disconnected communicating across state lines without the subtle cues he’s used to—not to mention he may be unable to handle the occupational hazards of dating a super-powered celebrity. As they learn what it will take to keep their unsteady partnership alive, these exceptional people find themselves asking as many questions as they answer.

With a refreshing lack of superhero hijinks, Stupid Questions presents an everyday romance between extraordinary people. Combining science fiction elements and an original male perspective, the story breathes new life into the classic “boy-meets-girl” scenario. Readers who prefer romance without a side of fluff will appreciate this authentic character-driven tale of outsiders yearning for connection.

On Submission: Bad Fairy

Today my literary agent has begun the process of approaching editors to get me a publishing deal.

We’re hoping to score a three-book deal for my trilogy with a major publisher.  As of today, she’s contacting appropriate publishers and asking if they want to see it.  I won’t make public posts about how it’s going until/unless I get an offer (or until/unless I get multiple offers and have settled the terms), but if I get great news, I’ll make a post about it as soon as I’m given the green light to announce the deal.

I’m considering it a when, not an if.  Because I love pretending I’m super confident that it will sell.  😉

Representation Settled: Bad Fairy

Today I accepted an offer for literary agency representation and signed a contract for my novel Bad Fairy.  I am officially an agented author.

What this means: Once we get the contract finalized, we will develop some materials to introduce and present my book (and me) to publishers.  It’s a lot like authors querying agents to find representation, except that the agent is querying acquisitions editors at publishing houses based on what they’ve purchased in the last 12 months.  The goal is to find editors eager to buy books that are similar to those they’ve recently sold. If they like the idea, they’ll ask to see the book. If they like what they see, they’ll offer to buy the rights.  Negotiations begin.

We’ll be approaching publishers soonish.  I hope to be able to share good news when I have it.

In the meantime, please continue to tune in for blathering on any other projects I embark upon as well as news on this one.

Everyone, please meet my agent, Michelle Johnson.  We both like coffee and books and spend too much time on the computer.  I can’t wait to start working with her, and I’m so happy that she’s on my team.

Results of Querying: Bad Fairy 2012

I know 2012 isn’t over yet, but I have to stop querying agents for Bad Fairy

Happily, it isn’t a depressing reason, though (like it was the last time).  It’s because I’ve been offered representation.

I don’t want to go into detail because I still have some decisions to make before I sign with an agency, and I have a bit of a dilemma I don’t want to discuss publicly, but I will have specifics ready for you soon.

In any case I thought I’d show you this year’s track record so far, since it stops here.

Agents queried: 20.

Query rejections: 10.

The rest were not rejections.

One was a partial request that turned into a rejection after 100 pages.  That agent had puzzling feedback which I won’t share here.

There were also three full manuscript requests.  Ffffffffffff.

Once I actually sign a contract, I’ll share more . . . and I’ll be sure to keep everyone in the loop on what happens next. Which hopefully will involve a book deal.  (Yay.)

Whew!

Editing, tweaking, clipping, fixing

Editing of the new book (Stupid Questions) is going well with the help of my massive test audience. (Okay, maybe not so massive. Twenty-two people volunteered and confirmed. Exactly half of them have given me comments.)

It’s interesting how consistent the comments are. Nearly everyone who is commenting on which lines they like best identifies the same lines. Nearly everyone who didn’t like a certain scene in the third chapter had the same reason. Nearly everyone has said something about the dialogue that was at least somewhat in the ballpark with what everyone else was saying. And most of the readers seem to really like my characters and concept.

There are always a couple I don’t know what to do with, though, and so far I think it’s just two:

One person says a guy character needs to be presented as less layered and multifaceted and whatnot because guys aren’t very complex. (The reader clarified when I disagreed, but I still disagreed after the clarification, and so far the other male readers who have commented on that issue explicitly appreciate the choices I made supporting him NOT being the stereotypical straightforward disconnected guy.)

And another person has noticed that this story includes people with psychic abilities, and is indicating in the commentary that he’s looking forward to finding out the “explanation” for it. I wonder how many people get disappointed at the very small percentage of these kinds of stories that don’t have an “explanation” and don’t happen to be about why or how? (Come to think of it, I don’t think I’ve ever written a story about such things that DID include an “explanation.” Maybe I’m weird.)

I’m not criticizing my critics, though—I’m grateful for input. Just kinda rambling here and pointing out that sometimes the comments or criticism I get confuse me. 🙂